I grew up on Vietnamese folklore and wartime literature, and spent years living inside stories of memory, loss and resilience. Somewhere along the way that became a love for culture itself: for the proverbs, songs, objects and rituals that carry a people’s memory long after the hands that made them are gone, and for the quiet lives history tends to flatten into stereotypes. I turned to theatre because it felt like the one place where heritage could be lived, not just preserved.
Today I write, direct and produce between Australia and Vietnam. In Australia I have worked with Performance Space, Africa Film Festival Australia, Sydney Contemporary and Western Sydney University; in Vietnam, with G’LAMS Musical and Ca Dao Hồn Việt, alongside my own project, Những Thuở Xuân Vương. Across all of it, I am just as curious about what makes an experience possible: the teams, schedules and quiet practical details that hold a story together. I am always eager to contribute and to keep learning from the artists, teams and communities I work alongside.